作　　者： ;

机构地区： 暨南大学海外华文文学与华语传媒研究中心

出　　处： 《长沙理工大学学报（社会科学版）》 2011年第5期57-65,共9页

摘　　要： 作为"第二个十年"新文学史叙述的重要组成部分,新诗的文学史呈现以"进步"为基本逻辑展开。受知识、视野、观念等诸多因素制约,不同史家对新诗发展描述相互影响和借鉴,从而使新诗表现出叙述的类同性,当然也不尽相同。进步成为新诗叙述的逻辑前提,同样体现在文学史评价方面,评价的"进化焦虑"说明"进化"本身成为某种不言自明的公共话语。建立在个人感性认知基础上的新诗微观史还原了"进步"话语面临的困境,证明新诗史是叙事学编码的想象结果。 As an important component of the narration of the new literary history in ＂the second decade,＂ the literary history of new poetry is presented according to the basic logic of ＂progress.＂ Due to the restriction of various factors such as knowledge,vision,concept,different historians learn and influence each other from their description of the development of new poetry.As a result the presentation of the new poetry of these literary historians appears to be similar in the narrative discourse.Of course,it is not all the same.In addition,＂progress＂ as the logical premise of the narration of new poetry is also found in the evaluation of literary history.The ＂evolution anxiety＂ of evaluation shows that ＂evolution＂ itself had become a self-evident public discourse.The micro history of new poetry on the basis of personal perceptual cognition in turn reveals the dilemma in the discourse of ＂progress＂ so that it may be concluded that the new poetry history is the imaginary result of narrative coding.

关 键 词： 新诗 新文学史 进步 叙事

领　　域： [文学]