作　　者： ;

机构地区： 广州大学人文学院

出　　处： 《广州大学学报（社会科学版）》 2011年第6期85-90,共6页

摘　　要： 刘艺舟民国元年之行迹清晰地昭示了文明戏的早期形态和属性,其本人亦为借戏剧活动推行政治理念的先导和表率,因而极具典范意义。1912年中国推翻帝制,刘艺舟也进入他政治和演剧活动的活跃期。他和革命志士光复登州、黄县,在上海新舞台演出新剧,组织新剧俱进会。他开展社会活动,发表政治言论,践行三民主义。年底,他率蒙藏探险团北上,谋求和平解决蒙、藏问题,以实现"五族共和"的建国理想。 The activities of Liu Yizhou clearly show the form of Wenming Play in its early stage, and he himself was a precursor and model who promoted political belief through drama activities. In 1912, when monarchy was overthrown in China, Liu Yizhou came to his active stage in politics and drama activities. In January, with other revolutionaries, he had Dengzhou and Huangxian liberated. During March to December, he performed new plays on Shanghai New Stage, and actively organized the New Play Advancing Association. He ardently practised the Three People＇ s Principles by leading social activities and making political speeches. In hope of realizing the idea of ＇ five-nationality unity for a republic, he led an expedition northward later this year to seek a peaceful settlement of the Mongolian and Tibetan issue.

关 键 词： 刘艺舟 民国元年 政治 文明戏

领　　域： [文学]