作　　者： ;

机构地区： 中山大学人文科学学院中文系

出　　处： 《海南师范大学学报（社会科学版）》 2011年第2期75-79,共5页

摘　　要： 作为20世纪后半期华语学界最为重要的古典文学阐释架构之一,海外及港台"中国抒情传统"研究,不仅致力于比较诗学论域中"抒情美学"的理论建构,同时也倾力于开拓抒情传统之文学史书写及重构的话语空间。其中,围绕着高友工的美典理论,其普林斯顿的追随者(孙康宜、林顺夫)构筑出抒情传统视野下的中国文学史叙事,为五言诗、律诗、词体等文类的演进及亲缘关系提供了独到而深入的解说,描绘出自汉末至宋末的一段抒情文学的风云传奇。 As one of the most important theories on ancient Chinese literature in the late 20th century,studies on ＂Chinese Lyric Tradition＂ by overseas Chinese scholars not only strove to construct ＂lyric aesthetics＂ in a comparative perspective,but also attempted to rewrite literary history to represent Chinese lyrical tradition.Among them,Gao Yougong＇s theory of Chinese aesthetics has made its full impact on his Princeton＇s followers＇（Sun Kangyu and Lin Shunfu） writing of Chinese literary history in the perspective of lyrical tradition.Their studies have provided special and profound interpretation as to the evolvement of and relationship among Chinese genres such as pentsyllabic verse,regulated verse and song lyric which represent a lyrical literary legend from the late Han Dynasty to the late Song Dynasty.

关 键 词： 中国古典文学史叙事 抒情传统 美典理论 高友工 孙康宜 林顺夫

领　　域： [文学]