作　　者： ;

机构地区： 广州市社会科学院

出　　处： 《东南文化》 2011年第1期79-82,共4页

摘　　要： 把古建筑复原陈列的精髓还原为一种人与物之间的共振结合体是非常必要的。一般情况下需对构成复原陈列的诸多内容因素进行归纳、合并处理,以找到各要素的交汇点为最佳,否则只能优先照顾最重要的影响要素,适度兼顾其它要素。古建筑复原陈列的展线布局必然受到古建筑物原始设计线路的制约,因此在实际设计中是一种叠加效应的结果。其最常见的展线布局方式有单一、顺向展线布局和块状串联的"中心辐射式"展线布局两种。 It is necessary to return the essence of the ancient architecture restored exhibition to an original state that people and objects resonate.Generally,we should conclude and combine the essential factors in order to find out the best intersection.Otherwise,we could only give priority to the most important essential factors and pay appropriate attention to others.The exhibition layout of the ancient architecture restored exhibition is restricted by the original design lines in ancient architecture,therefore,it shows a superimposed effect.There are two kinds of most common exhibition layouts： single unidirectional one and massive connected ＂central radiation formula＂ one.

关 键 词： 古建筑 复原陈列 要素组合 展线布局

领　　域： [历史地理] [文化科学]