作 者: ;
机构地区: 江苏大学人文社会科学学院
出 处: 《深圳大学学报(人文社会科学版)》 2011年第1期100-106,共7页
摘 要: 中国山水诗的发展至唐代可谓已臻登峰造极之胜境。由于唐代诗人对山水自然美的价值所特有的深刻认识与深切体验,故而使得唐代山水诗别具"畅神之山水"、"感怀之山水"、"人化之山水"三种自然生态的审美价值。诗人们凭借山水,或体现个性,或感怀身世,或畅神适性,或抨击黑暗,或避世隐居,或陶冶情操;它们既是诗人创作的素材,又是诗人自由往来的精神家园。唐诗自然山水的丰富内涵,实即"天人合一"思想在唐代最为突出的体现,这对于增进当代人们的环保意识、调节人与自然的和谐关系,皆不无启迪与教育意义。 Chinese landscape poems reached the acme harbored deep feelings and profound knowledge and in-depth of perfection in the Tang Dynasty. As Tang poets awareness about the values of landscapes, poems of this type are characterized by 3 sorts of aesthetic values of ecology: landscapes of refreshment, of mental reflections and of personification. The poets, by depicting landscapes, expressed their personal individuality, or reflected upon their lot, or refreshed their mind, or criticized the dark side of the society, or enjoyed their reclusive life and refined their sentiment through the description of nature. Landscapes provided both rich materials of composition and spiritual homes for the poets. The affluent implication in the Tang landscape poems is in reality the most outstanding embodiment of the idea of "harmony of man with nature" in the Tang Dynasty, which is of great significance of enlightenment and education in reinforcing contemporary people's environmental awareness, and securing harmonious relations between the two sides.
领 域: [文学]