作　　者： ;

机构地区： 暨南大学文学院

出　　处： 《孝感学院学报》 2011年第1期61-66,共6页

摘　　要： 加缪之所以饮誉于世界文坛,是与其以独特感受世界的方式描摹并刻画着"疏离"、"荒诞"、"反抗"、"自杀"、"自由"与"正义"等重大主题的戏剧作品有着密不可分的关联。更需引起关注的是,他以高瞻远瞩的视域警醒地审视着当下人类现实的处境,强有力地明示了己身存在意义所隐含的生命意识——"活得最好"与"活得最多",隐然导出了荒诞意识背后隐潜、凝现着的种种生命精神与真实存在,势必给人们以可贵的思想启示。 Albert Camus who well known in the literary world, was experiencing the world with its unique way of tracing and characterization of ＂alienation＂, ＂absurd＂, ＂resistance＂, ＂suicide＂, ＂free- dom＂ and ＂justice＂, which has a close association with a major theme of the dramatic work. More concern is, Camus alerted the horizon of vision to look at the current situation of the human reality, a strong presence to express the meaning of their own issue implicit sense of life： ＂Living the best＂ and ＂living the most＂, derived the ＂absurd＂ consciousness behind the hidden potential, all the condensate is the spirit and real life is bound to give people valuable life to the deep ideological guidance. Key

关 键 词： 加缪 荒诞 戏剧

领　　域： [文学]