作 者: ;
机构地区: 中山大学
出 处: 《吉首大学学报(社会科学版)》 2010年第6期130-133,共4页
摘 要: 麦家的《风声》与李洱的《花腔》都在广袤复杂的历史背景下,以"复调"的叙事策略,将创作凝聚点不约而同地放在个人身上,以个体视角去触摸历史、感知历史,凸现出作者对于革命化历史的独立思考与深度追问,并挖掘出个体生命在历史与现实的复杂纠缠中、在权力规约与人性困顿中的精神深度,于人性的褶皱处去发现其深邃丰满的内质或强悍而庄严的生命品性。 In a broad and complex historical background and by applying the descriptive strategy of "polyphonic",both The Wind and Coloratura focus on individual description to explore history and touch history,showing the authors' independent thinking on revolutionary history and the individual's spirit dilemma between history and reality,power and humanity.Furthermore,rich connotations and powerful and solemn nature of life are also found in the novels.
领 域: [文学]