作　　者： ;

机构地区： 深圳大学文学院

出　　处： 《梧州学院学报》 2010年第5期71-76,共6页

摘　　要： 20世纪20年代,高长虹、郭沫若、滕固、郑振铎对散文诗的文体特性进行了独特的解会,而其中以高长虹的见解颇具说服力,郭沫若对于散文诗文体的界定过于宽泛,论说且有相互龃龉之处;许地山的散文诗相对来说,具有艺术创新意义。 Inevitably,the introduction of poetry into China leaded to China＇s new writers of literature a theoretical thinking.In the 1920s and 1930s,Guo Moruo,Teng Gu,Gao Changhong,Zheng Zhenduo showed their individual understandings of the stylistic characteristics of the prose poems.Among all of them,Gao Changhong＇s view is more persuasive.But Guo＇s definition is overly general the prose poems.Moreover,there are some discords on his view.Relatively speaking,Xu dishan＇s prose poems are more artistic in innovation.

关 键 词： 散文诗 散文诗理论 艺术创新

领　　域： [文学]