作 者: ;
机构地区: 暨南大学文学院
出 处: 《暨南学报(哲学社会科学版)》 2010年第4期86-91,共6页
摘 要: 在重建抒情与言志的概念基础之上,从传统诗学的角度观照早期华语电影,可以看出它在形式上采用了古典诗歌的抒情手段,在主题上则继承了中国历代士人言志传道、关化天下的政治操行。因此以仕人电影与情节剧模式为核心特征的早期华语电影的美学倾向不仅提高了后世从业者的社会地位,而且成为了华语电影区别与其他国别电影的显著之处。 Based on the concepts of 'emotion' and 'ideal',this article expounds the early Chinese film through the reflection of Chinese classical poetics which uses the lyric method for the form and expresses the great ambition being the idea of it.Consequently,the aesthetic style of the early Chinese film which is characterized by the intellectual style and popular plots have not only improved the position of director,but also distinguished Chinese film from other countries' films.
领 域: [艺术]