作　　者： ;

机构地区： 广东外语外贸大学东方语言文化学院

出　　处： 《东南亚研究》 2010年第1期88-90,共3页

摘　　要： 日本电影《望乡》中的"南洋姐"阿崎婆形象在社会论范畴内一直被解读为批判社会制度的符号,然而这一底层受损害的女性形象在本体论范畴内也同样具有十分重要的意义。阿崎婆曲折的生活经历不仅详细地叙述出女性的自我在权力话语的抑制下不断异化的过程,同时也表明,在底层女性的个体存在中,被压抑的自我依然潜在,并且经过女性主义的人文关照后会破茧重生,展现出它应有的社会价值。 Osaki Yamakawa, a Japanese woman who prostituted herself in Malaysia in the movie Sandakan No. 8, has long been interpreted as a symbol of social criticism with social theory. But as a prostitute living at the bottom of society and severely ravaged, this woman image is also of great significance in the field of ontology. On the one hand, her life, which is full of miseries and misfortunes, vividly presents the process of a woman＇s self being alien- ated under the system of ＂discourse of power＂ ; while on the other hand, it also indicates that despite of being pent- up, the selves of those women who live at the bottom of society can still be revitalized with constant humanitarian care and then display their due social values.

关 键 词： 望乡 底层女性 权力话语 自我异化 自我建构

领　　域： [艺术]