作　　者： ;

机构地区： 中国社会科学院文学研究所

出　　处： 《安徽大学学报（哲学社会科学版）》 2010年第1期8-18,共11页

摘　　要： 中国古代的女性形象,纯然是按照男性的意志模塑出来的,体现了男性世界的伦理和审美要求。从《诗经》到曹植的作品,古典文学描写女性美的技巧大体已完成,女性形象虽不失美丽和高贵,但终究少了点生动、性感和个性化的魅力。梁陈间宫体诗人专门描写女性的作品,在传统的表现手法之上发展了对心理和表情的刻画,由此获得对女性性感特征的细腻表现。他们对女性美观赏和表现的平常化,本质上意味着男性世界能保持中性和超越的目光,具有一定的心态史意义。 Women＇s characters in ancient China are utterly molded by the mind of the men, which represents the ethical and aesthetic request of the male world. The techniques describing the beauty of feminity in classical literatures from the Book of Songs （Shijing） to Caozhi, had primarily established. Women＇s image does not lack beauty or dignity but fails to meet the charm of vividness, sexiness or personality. Court-style poetry focused on the women during the Liang and Chen dynasty, improved the description of mentality and expression, which contributed achieving the delicate expression of women＇s sexy characteristics. The popularized appreciation and expression on women essentioally meant that the men could hold a neutral and detached vista, which contained certain significance to history of Mentality.

关 键 词： 女性美 宫体诗 性感

领　　域： [文学]