作　　者： ;

机构地区： 广东教育学院

出　　处： 《广东教育学院学报》 2010年第1期65-70,共6页

摘　　要： 由于受到日本侵略者在政治和文化等方面的严酷控制,抗战时期的北京诗坛难以形成如国统区和解放区那样以爱国主义为旨归的大众化写实主义诗潮,但也出现了李景慈等人对大众化写实主义诗风的积极倡导。高深、吕奇等少数诗人,则在侵略者的文化控制政策下,或者以沉郁悲凉的诗笔见证了那一段民族的痛史,或者以充满大地气息的文字针对民族的苦难抒发反思性的呐喊,为抗战时期的北京诗坛留下了值得重视的作品。 Controlled by the Japanese invaders in the fields of politics and culture, Beijing did not have a patriotic poetry stream of popularization and realism in the Anti-Japanese War period like that happened in the Liberated Areas and the Kuomingtan-controlled Areas. But Li Jingci and other critics still insisted on advocating this poetic style. And there were still some poets, such as Gao Shen and Lu Qi, who wrote a large number of poems. These poems either witnessed the people＇s suffering in a style of gloom and sadness or expressed their introspective cheer by the poetic language full of local flavor, which remains to be valuable works of Beijing＇s poetry circle in that particular period.

关 键 词： 抗战时期 北京诗坛 写实主义 国族想象

领　　域： [文学]