机构地区: 广东工业大学艺术设计学院
出 处: 《家具与室内装饰》 2009年第9期20-21,共2页
摘 要: 本文运用建筑符号学的原理,对陈家祠的平面布局符号、空间形态符号、构件符号及建筑外墙材料及装饰工艺符号等方面,从外在的符构形式到深层的审美意蕴作了分析和阐述。 Based on the architectural semiotics, a depth analysis of the layout symbols, the spatial form symbols, the symbols of components, and the symbols of building appearance material and decoration process have been analyzed and discussed from the external symbol constitutional form to the deep implication of Chenjiaci.