作　　者： ;

机构地区： 暨南大学文学院中国语言文学系

出　　处： 《湘潭大学学报（哲学社会科学版）》 2009年第3期121-125,共5页

摘　　要： 美国比较文学学者厄尔·迈纳的《比较诗学》建构的是跨文化的比较诗学理论体系。迈纳把重点放在原创诗学的阐发以及文类中介的建立上,在东西方文学文本的比较中自然升华了文学本质、特性以及功能的思考,因而体现着作者独特的入思方式。迈纳秉承着跨文化的视野,历史动态的诗学观念以及开放的襟怀,自由地畅游东西方的文学艺术领地,尽管如迈纳自己所说,这样做仅仅是一种尝试,但是已经在我们眼前展现了世界诗学的瑰丽景色,开阔了我们的思维与视野,给人以前所未有的启示。 Comparative Poetics, written by American scholar Earl Mayna, established a cross - cultural comparative poetics theoretical system. Focusing on the originally composed poetics and the construction of the intermediary genre, Comparative Poetics naturally improved the essence of the literature nature, characteristic and the consideration of the functionality, and thus embodied the author＇s distinctive thinking. Inheriting the cross - cultural vision, historical dynamic poetics concept and the open mind, Mayna could freely stroll through the eastern and western literary kingdom. Although Mayna claimed that it was only an attempt, it presented magnificent scenery of the world poetics, broadened our thinking and vision and gave us an unprecedented enlightenment.

关 键 词： 比较诗学 文类 惯例 比较 文化相对主义

领　　域： [文学]