作　　者： ; ;

机构地区： 上海体育学院

出　　处： 《搏击（武术科学）》 2004年第3期52-55,共4页

摘　　要： 文章以艺术学(音乐、戏剧、雕塑、绘画等)、哲学、美学等为理论参考,对中国武术套路演练中的动静节奏进行深入研究,认为在武术套路演练中动要突现神韵,静要蕴含意境。同时,依据武术套路演练中动静节奏的上述审美特征,指出了动静节奏的艺蕴内涵应凸现出动迅静定、动韵静势、顿合规律等具体要求,进而推断出要从动态性、延续性、整体性、综合性的角度去把握武术套路演练中节奏的变化,为广大教练员和运动员提高武术套路演练的技巧以及其他从事武术科研的学者提供理论参考。 By consulting arts (music, drama, carve, painting arts), philosophy, esthetics etc, the writer makes a deep research on the dynamic and static rhythms which lie in the performance of routing arts. In the writer's opinion, the dynamic movement should appeal poetic charm, while the static situation should contain artistic conception. At the same time, the writer points out the connotation of the dynamic and static rhythm and its value in the whole performance of routine arts. Further more, the writer concludes that we must master the rhythm of martial arts from the dynamic, continued, integral, comprehensive aspect. As a result, this paper will help both the coaches and the athletes to grasp the skill of rhythm which lie in the whole performance of routing arts.

关 键 词： 艺术 运动 武术套路 演练 动静节奏

领　　域： [文化科学] [文化科学]