作　　者： ;

机构地区： 韶关学院

出　　处： 《韶关学院学报》 2007年第1期78-81,共4页

摘　　要： 哈代的创作思想反映了19世纪后半叶和20世纪初文人迷茫的思想及心理的困境。通过“上帝之手与人的主动性”、“工业文明与自然爱情”、“博爱观”三个层面,可探析作者在婚姻、道德、宗教、教育、妇女解放等问题上的认识,并从他的观念形态、感情心理、客观环境和主观意识等诸多因素的变化及其相互作用中,可探索其创作中感性理性的冲突、渗透及其转化。 Hardy＇s ideas of composition reflected the confused thoughts and psychological difficult position of the writers in the late 19th and early 20th centuries.Hardy＇s viewpoints of a series of questions,such as marriage, morality,religion,education and women＇s liberation are discussed in the paper through three aspects of“hand of the God and human＇s initiation”,“industrial civilization and natural love”and“universal love”.It is also explored the conflicts between perception and rationality and the transformations of each other during his writing by analyzing his ideology,sentimental psychology,objective environment,subjective consciousness and the interactions among the factors.

关 键 词： 哈代 创作思想 工业文明 自然的婚姻 博爱

领　　域： [文学]