作　　者： ;

机构地区： 广东轻工职业技术学院管理工程系

出　　处： 《广东教育学院学报》 2007年第4期59-63,共5页

摘　　要： 中国新时期的荒诞叙事虽然借鉴了西方荒诞派的叙事手法,但具有鲜明的中国特色。与西方荒诞叙事的形而上哲学意识不同,它是作为对经典叙事霸权地位进行挑战的叛逆者出现的。它源于个体生存经验与历史意识形态的断裂,源于现实生活个体的生存体验,反映了历史进程与认识进程的断裂以及认识到这一点后的绝望心态和对希望的渴望。因而它是新时期中国知识分子对社会现实进行理性批判的重要组成部分。 China＇s absurd narrative since 1979 has learned much from western absurd narrative in its techniques, but it remains mostly part of the Chinese aesthetic tradition. Different from the awareness of metaphysical philosophy of western absurd narrative, it has emerged mainly as a challenger against classic narrative authority. It has arisen from the discordance between individual experience and the historic ideology, and reflects the psychological response of the elite to the great social changes at this historic period. Therefore, though apparently ＂absurd＂, it is part of the rational criticism of the social reality by Chinese intellectuals.

关 键 词： 主体意识 传统 荒诞叙事 叙述荒诞

领　　域： [文学]