作 者: ;
机构地区: 韩山师范学院中文系
出 处: 《江南大学学报(人文社会科学版)》 2007年第1期79-81,93,共4页
摘 要: 明人论诗此起而彼伏,但自袁中道开始,师心与师古、真与雅的调和与修补已初现端倪。陈子龙则沿袭此举,继续对七子和公安派的诗学主张加以变异、折中,摒弃缺点,吸收他们的合理成分,不过其对前者的推崇与承袭远较后者为甚。同时,时代的内忧外患又使得陈子龙在诗歌格调的选择上讲究一种音节婉亮的雍容法度,以抵消衰世之音的萧杀与悲凉。 Scholars in Ming Dynasty always disputed the poesy as one falls another rise. Chen zilong continued to balance the proposals of Gong'an group and the Jingling scholars. At same time, the complicated times made his poem elegant instead of sad in style.
领 域: [文学]