作　　者： ;

机构地区： 首都师范大学中国诗歌研究中心

出　　处： 《江汉大学学报（人文科学版）》 2007年第1期19-23,共5页

摘　　要： 作为具有划时代标志的天安门诗歌运动,在中国当代文学史定位中经历了从重要到弱化的演变,这可以视为文学标准不断省悟的一个过程。随着地下诗歌的不断发掘,天安门诗歌在艺术和价值上的被消解已成为必然,这种趋势在个人化的学术著作中表现得更为突出。这种变化表明,当代文学史是一个不断变化的话语体系,它面临着持续的调整与修订。 As an epoch-making sign, Tian-An-Men-Poem Movement has undergone an evolution from significance to attenuation in its location in Chinese modern history of literature. Such can be taken as a course of continuous awakening of literary standard. With the repeated excavations of the underground poems, it becomes a matter of course that the poems are being dissolved in art and value. This tendency is more prominent in individualized academic works. And the change shows that modern history of literature is an ever-changing speech system, confronting constant adjustment and revision.

关 键 词： 天安门诗歌运动 新时期 叙述 文学史

领　　域： [文学]