作　　者： ;

机构地区： 南京师范大学文学院

出　　处： 《中国社会科学》 2006年第6期144-157,共14页

摘　　要： 发生于20世纪三四十年代的“大众化”讨论,是中国新文学史上一次重要的精神和文体自觉,是五四文学自我更新和发展的体现。“大众化”讨论促进了中国新文学的民族化觉醒,也为新文学与大众之间实现良好的接受关系做出了探索。在现实政治环境的要求下,讨论表现出较强的现实功用色彩,这对新文学与社会现实关系是一种良好的促进,但也对讨论的客观性和深度产生了一定的消极影响。在全球化语境中,中国文学的大众化问题至今仍未得到真正的解决,“大众化”讨论对当前文学创作具有很强的现实启迪意义:民族性应该成为中国文学发展的基本特征,在作家与大众之间应该建立密切、科学和有效的关系,同时应提倡作家的社会责任感和理想主义精神。 The “literature for the masses” debate in the 1930s and 1940s marked an important step in the self-awareness of China's new literature in terms of spirit and style. It reflected the self-renewal and development of May Fourth Literature. The debate stimulated a nationalist awakening in the new literature, and laid the foundations for ius public reception. In the political context of the times, it was heavily utilitarian, which had a positive effect on its connection with social realities but to a certain degree a negative one on the objectivity and depth of the discussion. As a matter of fact, the question of “literature for the masses” is still relevant even in contemporary globalization, and the debate still has lessons for contemporary literary creation: national characteristics should be regarded as the starting point for the development of Chinese literature; close, scientific and effective relations should be built between writers and the public; and writers should have a sense of social responsibility and an idealist spirit.

关 键 词： 大众化 中国新文学 理性自觉 文学接受 民族化

领　　域： [文学]