作　　者： ; ;

机构地区： 广东工业大学外国语学院

出　　处： 《外语教学》 2006年第6期75-77,共3页

摘　　要： 在纷杂的现代和后现代社会,拯救和追寻不但是一个个体的故事,而且也是整个人类的故事。卡夫卡在《城堡》中通过对文学形式的操纵企图向人们展示:对上帝信仰的缺失,人类及其个体的拯救都危在旦夕。因为叙述声音的日渐遥远,意义追问的怪诞失落,伴随着人物K命运的消亡,这一切在绝望的拯救中都被无声地消解。当拯救像信仰一样坍塌时,所有的一切都只能存在于人们关于宗教的想象中。 In the confusing modern and post-modern society, the religious rescue and pursuit is not only the story of individuals, hut also one of the whole mankind. Kafka, in his The Castle, attempts to reveal, by manipulating its literary form that such rescue and pursuit is on the verge of destruction without the presence of God, And the waning voice of narrator, grotesque loss of signification queries, together with the mortal fate of K, have died away in his paradoxical queries. When the rescue collapses like the failing faith, nothing will stay but to be recalled in people＇s religious imagination only.

关 键 词： 拯救 主题 叙事 城堡

领　　域： [文学]