作 者: ;
机构地区: 广州大学美术与设计学院
出 处: 《浙江艺术职业学院学报》 2006年第3期24-27,共4页
摘 要: 本文以越剧戏曲电视剧《孔乙己》的美术设计为案例,深入探讨戏曲在电视化过程中的诸多问题,包括舞台结构的空间关系,道具的生活化、符号化等。该剧既强调传统戏剧本身的韵味,又积极地探索新的表现。特别是创作者着力寻求在电视传媒的传播规律前提下,寻找与时代的结合点,创造出既是根源于戏曲的精神实质,又符合新传播媒体的语言方式,进而为编、导、演多方面的创造提供了良好的前提,开拓了某种崭新的戏曲电视剧的美术形式。 Taking the arts design in the Shaoxing opera TV play Kong Yiji as example, the paper probes into space relation of dramatic TV play. Kong Yiji stresses charm of traditional drama and probes into new expressive ways, especially a combination with the time taking advantage of the media of TV. It creates a language fit to new media as well as drama essence and then provides convenience for creation of both direction and performance. It initiates a brand new fine arts means of drama TV plays.
领 域: [艺术]