作　　者： ;

机构地区： 华南师范大学南海校区学院中文系

出　　处： 《安康师专学报》 2006年第5期42-45,共4页

摘　　要： “象”是中国古典文论的核心范畴之一,“象”在文论发展中经历了工具化、意蕴化、拓展和整合提升四个时期。在这四个阶段中,“意”的内涵从纯粹的哲学向人的内在世界转移,在整合中融贯了情和理的质素,从“意”、“象”两分到“意”、“象”交融的文论历程,“象”的审美本质和审美价值逐步得到理论发掘和提升。 Image is a central category of Chinese ancient literary theory. The development of Image can be summarized into four periods： the period as utilitarian, the period as passion, the period of developed and the period as upgraded. In these four periods, the meaning of ‘ idea’transfers from the pure philosophy to the internal world of human being, and constructed in it with passion and reason. In the process from the separation of ‘ideal’and ‘image’to the communication of the tow, the aesthetic essence and aesthetic value of ‘idea - image’were gradually found and promotecd.

关 键 词： 中国文论 象 历程

领　　域： [文学]