作 者: ;
机构地区: 中山大学人文科学学院中国非物质文化遗产研究中心
出 处: 《洛阳大学学报》 2006年第3期93-97,共5页
摘 要: 宋代元宵节已具备以僭越文化为主体的文化价值取向,以诙谐文化为内容的民间表演形态,有着以物质和肉体为中心的生命诉求,因而成为与欧洲中世纪狂欢节相映成趣的中国式的狂欢节的代表。 The Lantern Festival in the SONG Dynasty was provided with the tendency of overstepping the subject of cultural value and developed into a particular style of overtly massive folk street performance with crack jokes in its content. It displayed a life appeal centered with material and corporal beings. And thus, it became a representative Chinese carnival eoineidentally corresponding to the European carnival in Middle Ages.