作　　者： ;

机构地区： 韩山师范学院音乐系

出　　处： 《韩山师范学院学报》 2006年第4期61-67,共7页

摘　　要： 《太古传宗》乐谱引起人们的关注应当从1962年杨荫浏与曹安和编辑出版的《西厢记四种曲谱选曲》一书开始。随后,傅雪漪先生于1984年撰文《罕见的戏曲音乐书太古传宗琵琶调》、1997年郑祖襄撰文《关于太古传宗琵琶调乐谱的几个问题》都对《太古传宗》乐谱作了进一步的介绍和研究,一致认为该谱是北曲遗存中较早的一份资料,它对于研究元代北曲在明清时期的流变以及探索元明以来北曲音乐的面貌有不可低估的作用。该文就还未深入研究的《太古传宗》乐谱的其中之一《太古传宗琵琶调西厢记》的文学唱词、记谱特点等问题作进一步的探讨。 The attention to the opera of Inheritance from Remotely Antique Music was started from the book of the Selected Songs in Four Types of Romance of the Western Chamber Opern composed by Yang Yinliu （杨荫浏） and Cao An （曹安） in 1962. And then, Fu XueYi （傅雪漪） wrote Rare Opera Opern of Inheritance from Remotely Antique Music Lute Tune in 1984, and Zhen Zhuxiang （郑祖襄）, writing Some questions on Inheritance from Remotely Antique Music Lute Opern in 1997, presented and studied further to Inheritance from Remotely Antique Music. They all thought this opera is an earlier data in remained Northern Opera, it has important function to study on the change of Yuan Dynasty Northen Opera in Ming and Qing Dynasties and also on the visage of northern opera since Yuan and Ming Dynasties. The paper will probe into the not-deeply-studied questions on art libretto and characteristics of writing opera in Romance of the Western Chamber Lute Tune in Inheritance from Remotely Antique Music.

关 键 词： 太古传宗 文学特点 乐谱特点

领　　域： [艺术]