作　　者： ;

机构地区： 北京师范大学文学院

出　　处： 《北京师范大学学报（社会科学版）》 2006年第4期90-97,共8页

摘　　要： 徐增向来被视为金圣叹七律分解说的承传者,其《说唐诗》也被视为继承和发挥金圣叹学说的批评实例。近年有学者对两者的关系提出了新的见解。依据湖北省图书馆所藏稀见钞本《九诰堂集》,从梳理徐、金两人的交往始末入手,比较两家的诗学论说,可以发现:徐增对金圣叹的七律分解说既有继承,也有一定程度的改造和修正。具体表现在:(1)扩大分解法的适用范围;(2)消解七律分解的普适性;(3)重新解释七律前后两解在结构上的动力关系;(4)补充说明分解和起承转合的关系。徐增通过这些改造和修正避免了金圣叹分解说的机械性,最终形成自己解说唐诗的特点。徐增说唐诗的方法及其中体现的诗学观念与金圣叹各有特色,比较两家的诗歌批评,可以对清代的结构诗学获得比较完整的认识,澄清历来相沿的先入为主之见。 XU Zeng has always been regarded as inheritor of the ＂septasyllabic regulated verse theory＂ put forward by JIN Sheng-tan. In fact, his On Tang Poetry has also been treated as a critical example that inherits and develops JIN＇s theory. Recently, ：some scholars have had new understandings of their relation. But this paper makes a comparison of the two starting from their communications recorded in Jiugaotang Collection, a rare copy version stored in the Hubei Province Library. I found that XU had certain degree of revision as well as inheritance from JIN： XU （i） expanded the scope of JIN＇s interpretation; （ii） cleared up JIN＇s theory to expand its explanatory power; （iii） re-interpreted, from the structural perspective, the dynamic relationship between JIN＇s two interpretations of the septasyllabic regulated verses; （iv） made up for the relationship between decomposition and the four steps of poem creation, i.e. introduction, elucidation of the theme, transition to another viewpoint, and summary. XU hence avoided J IN＇s mechanicality and formed his own characteristics in Tang Poetry interpretation.

关 键 词： 徐增 金圣叹 诗学 分解

领　　域： [文学]