作　　者： ; ;

机构地区： 吉林大学文学院

出　　处： 《长春大学学报》 2006年第03M期 43-46,共4页

摘　　要： 温庭筠的创作正处于诗向词过渡的晚唐时期，他的作品也初步显示了这种文体上的变革。尤其是他以女性为题材的乐府诗作不仅改变了以往“唐人乐府皆不入乐”的局面，在创制上更是采用了“由乐以制词”的词体创制之法，其工整的章法、和谐的音律奠定了词调创制与定型的基础。这与词作华美的形式、悠远的意境相结合，奏响了诗体文学向词体文学过渡的先声。 Wentingyun＇s creation is in the period of the late Tang dynasty in which poems were been translated into Ci. His works also showed the stylistic change initially. Especially hisYuefu poetry with female subjects not only changed situation of which ＂Chinese Yuefu all can＇t contain music ＂, and also used the creative method of poetic genre in which music was made into Ci in composing .Its coherent writing and harmonious melodies laid poetic original and shaped base. It combines with florid form and remote artistic conception of poems, which achieves a transition of poetic literary into Ci-verse one.

关 键 词： 温庭筠 乐府诗 唐宋词 诗词体式过渡

分 类 号： [I207.2]

领　　域： [文学]