作　　者： ;

机构地区： 嘉应学院美术学院

出　　处： 《嘉应学院学报》 2005年第4期92-93,共2页

摘　　要： 色彩在水彩风景画的艺术性主要并不在于它对自然色彩的刻意摹拟乃至仿真般的再现,而在于它是借自然景物,利用水彩的艺术语言抒情“写意”。要表现水彩风景画中的色彩“写意”,从表层看,要求画者掌握好与之相适应的艺术表现形式,它包含对水分、用色、笔触的把握;从深层看,更强调画者要有对色彩很强的感受与摄取的能力,把情感融入自然色彩又对自然色彩提炼、超越的能力。 The art of the water color scenery painting is main and do not consist in it to the nature color intentionally the intends is to emersion that imitate the true sort, but consist in borrowing nature scenery color, make use of the art language of the water color the sentiment the ＂comfortable＂. The water color scenery that to express the color ＂comfortable＂ draws the inside, seeing from the surface layer, requesting to draw control to like with it mutually the art manifestation that adapt to, it include to the confidence of the humidity, color, style of drawing; See from the deep layer, even emphasize the painting to have to feels very strongly to the color with the ability that take, melt the emotion into the nature color again to the nature color the ability that refine, overstep.

关 键 词： 水彩风景画 色彩 写意 表现力 感染力

领　　域： [轻工技术与工程]