作　　者： ;

机构地区： 中山大学

出　　处： 《中山大学学报（社会科学版）》 2006年第2期39-43,共5页

摘　　要： 《现代》城市小说中的叙述多为男性视角,其中的女性只是被叙述被评判,并没有发出自己的声音。即便偶有微弱的女性声音,也隐身或主动站在男性话语权威阵线内,仍然认同男性的权威价值判断,从而显示了一种现代性叙事的断裂———五四时期女性追求独立解放的要求在此已告一个段落。女性叙事并未建立一套对女性进行现代性启蒙的叙述机制,最终导致了现代性话语的缺席。 In the 1930s,Chinese modern cities like Shanghai emerged.In the famous literary magazine Xiandai(Modern),there were a lot of narratives centering on women.However,in the works in Xiandai,in the male perspective of the narrators,women were just being judged and commented,instead of using their own voice.Even though there was a faint sound from women, it hid itself or stood behind the line of male-dominant discourse,and identified itself with the male value judgment,which sequentially revealed a rupture in the narrative of modernity: women's request for liberty and freedom during the May Fourth Movement had ceased all together.Female narratives did not establish a set of narrative mechanisms to enlighten women for modernity,ultimately resulting in the absence of the discourse of modernity.

关 键 词： 女性叙事 叙述者 叙述声音 男性话语权威 现代性

领　　域： [文学]