作　　者： ;

机构地区： 华南师范大学外国语言文化学院

出　　处： 《解放军外国语学院学报》 2006年第2期109-113,共5页

摘　　要： 日本作家横光利一在长篇小说《上海》中描述了以“魔都”上海为代表的旧中国、以五卅运动为中心的中国民族民主运动和以女主人公芳秋兰为代表的中国革命者,显示了作者对中国现实的关注。尽管充满魔幻色彩的描述显现出作者对中国现实明显的误读,但是作者力图深入理解中国现实的努力在昭和年代初期的日本文学中可谓是一个转折点。这部作品有代表性地说明了从昭和初年开始,在涉猎中国题材的作品中,日本作家不再拘泥于对中国古代经典文本的一味缅怀,也在一定程度上改变了对现实中国的冷漠,而开始日渐显示出对现代中国社会和中国民众的关注。 In Shanghai, Yokomitsu depicted old China, represented by Shanghai, the Capital of Fantasy. He wrote about the May 30th Movement and Fang Qiulan the heroine. Despite the novel＇s obvious misrepresentation of China, as can be seen in the imaginary and fanciful descriptions, Shanghai exhibited the author＇s effort to understand the real China. The novel proved to be a turning point of the Japanese literature in the early Shown period, when the Japanese literature on Chinese subjects began to shift its attention from Chinese classics to the real society and life of modern China. The writers came out of their apathy and began to show their interest in modem China and her people.

关 键 词： 横光利一 上海 魔幻主义 误读

领　　域： [文学]