作　　者： ;

机构地区： 广州大学

出　　处： 《贵州大学学报（艺术版）》 2005年第4期86-89,共4页

摘　　要： 戏曲电视剧就是戏曲与现代传媒结合的重要形式,深受观众欢迎。戏曲进入现代传媒,使它摆脱了舞台传播的束缚,借助现代传媒快捷地把信息传播给受众。戏曲电视剧美术设计的目的是要设计出根植于传统戏曲精神,又符合视听语言的崭新空间关系。这种空间关系既是戏曲的,更是电视的。创作者积极理解传统戏曲的本质美感,发掘形式元素,把他和电视剧的特征结合起来。传统的舞台形式才能有效转化为符合镜头规律的全新意象空间。 A TV opera is an important form of a combination of an opera and modern medium, which is very popular. When an opera goes to the modern medium, it gets rid of the tie of the stage. Having the aid of modern medium, the information is quickly spread to the audience. The aim of the artistic design of a TV opera is to abstract the operag spirit rooted in tradition, which is accordant to a new extensity for audiovisual language. The extensity is of opera, and what is more, of TV. A TV opera framer positively gains a good understanding of the essential aesthetic feeling to combine them with the characteristics fectively into entirely a new image space of a traditional opera. The framer tries to unearth formal elements and of a TV play. Therefore traditional stage form can be transformed efwhich is coincident with the rule of lens.

关 键 词： 戏曲 电视剧 舞台美术 意象空间

领　　域： [艺术]