作 者: ;
机构地区: 广东技术师范学院
出 处: 《玉林师范学院学报》 2005年第6期45-48,76,共5页
摘 要: 毛纶、毛宗岗所理解的“叙事”脱胎于传统却又超越了传统。他们不再固守真实地再现史实的叙事规范而追求事件的艺术传达。他们认为:叙事是作者在传达各种真实或虚构的人事之时的匠心运营行为。其特点是从作者的角度考虑本文的控制。与西方的“Narrativ”e相比,他们抓住的是其中备受冷落的部分——叙述行为。 MAO Lun and MAO Zong-gang's narrative theory is orignated from the traditional narrative,but at the same time,it surpasses the traditional one .They don't focus on the reality of the event ,but on the art conveying .They believe narrative is an elaborate act when the author is trying to account a real or imaginative event .The characteristic of this style of narrative is the focus of this narrative lies in the accounting act ,which is ,however ,neglected in the westem narrative .
领 域: [文学]