作　　者： ;

机构地区： 广东工业大学外国语学院

出　　处： 《广东工业大学学报（社会科学版）》 2005年第4期72-75,共4页

摘　　要： 文章对戏仿作共时和历时的考查,分析戏仿在各个文学史阶段的意义,特别阐释了后现代文学艺术对戏仿青睐的原因。进一步分析了两类戏仿及其历史指涉性,指出戏仿是文学历史规律的体现,是文学危机和枯竭时文人对文学的一个回应,既是再会首,也是创新中的无奈。 The paper tends to study parody synchronically and diachronically, and analyzes the significance of parody in different literature periods, especially the cause of the preference of postmodem literature for parody. The analyses also extend to the classification of parody and its historical inference. Based on this, the paper draws a conclusion that parody is the manifestation of the law of literature history and a reaction of artists on the literature crisis. It is both a back to tradition and a try of innovation.

关 键 词： 戏仿 后现代文学 历史

领　　域： [文学]