作　　者： ;

机构地区： 西南师范大学文学院

出　　处： 《贵州大学学报（艺术版）》 2005年第3期62-64,共3页

摘　　要： 阿多诺是法兰克福学派的著名美学家。他的思想极具批判锋芒,他以否定的哲学观审视现实,深刻地道出了资本主义大众文化生产的弊端,并对此进行了无情的揭露。阿多诺的美学思想体现了对人的现实的关怀,对人性、人格丧失的忧虑。不仅如此,他还找出了自己的解决办法,即艺术的自律。本文浅析了阿多诺的否定美学观,文化批判理论以及对现代艺术的重构。这些都服务于他关于审美乌托邦的基本看法,贯穿着人本主义的思想。 Theodor W. Adorno was a famous aesthete of the Frankfurt school, his ideas are critical. He contemplated reality with negative philosophy, deeply expressed and discovered abuses that resulted from the capitalist Popular Culture. Adorno＇s aesthetic ideas embodied consideration of human beings and anxiety of loss of humanity. At the same time, he found ways to settlement, that was the autonomy of arts. This article analyses his negative points of aesthetics, theory of cultural criticism and the reestablishment of modem arts. All this shows his basic idea about aesthetic Utopia and penetrates humanism.

关 键 词： 姜学观 文化批评 现代艺术 乌托邦

领　　域： [艺术]