作　　者： ; ;

机构地区： 暨南大学文学院中国语言文学系

出　　处： 《暨南学报（哲学社会科学版）》 2005年第5期77-83,共7页

摘　　要： 古代文学中的连珠体肇兴于汉,陆机则完善了连珠体的体式,发展为连珠体“理要”的正格;南朝时由于当时文学风尚的影响,连珠体的写作呈现个性化与抒情化的特征,形成了多样化的“别格”。也就是说,连珠体的发展正好与汉魏六朝时期整个文学与文化的演变发展密切相关,故由连珠而论汉魏六朝文学,可以见微知著。隋唐及其后的连珠体无论在体制还是成就上都并没有超出六朝时期,又可见连珠体在汉魏六朝时期的独特性。 As a special of the Chinese classic literature,Lian-zhu style was put forward in the Han Dynasty and developed into its clear-reasoning character by Lu Ji.Because of the influence of the literature prevailing custom during the Southern Dynasties,the writing of Lian-zhu style became more and more individualized and lyrical.The development of Lian-zhu style closely related with the changes of the whole literature and culture of the Six Dynasties.So from studying Lianzhu style,we will have a good comprehension about the literal and cultural changes of the Six Dynasties.After Sui and Tang Dynasties,the application of Lian-zhu style has not gone beyond Six Dynasties periods no matter on the system or the achievement so that we can see the uniquenss and importance of the Lian-zhu style at the time.

关 键 词： 汉魏六朝文学 连珠体 正格 别格 扬雄 陆机

领　　域： [文学]