作　　者： ;

机构地区： 湛江海洋大学文学院

出　　处： 《北方论丛》 2005年第4期20-24,共5页

摘　　要： 作为相信纯艺术主义的诗人和文艺理论家,闻一多在其前期坚持艺术为艺术的同时,又不忘文学的宫殿建立在生命和现实人生这两块基石上而对生活批评。这种文艺思想的复杂性,源于闻一多高度的社会责任感和他对艺术执著的追求精神。只要我们深入地观察闻一多在任一阶段文艺思想的背景,从宏观角度鸟瞰他文艺思想变化波动的轨迹就会发现,其文艺思想的复杂性是辨证的而不是矛盾的。 As a pure poet and a theoretician of literature and art,Wen Yi-duo never forgot the literature palace was built on the life and the real life to criticise the social life,while he persisted in the idea of art for art’s sake.This complexity originated both his noble sense of responsibility for the society and his pursuing spirit for literature and art.We would find this complexity is the unity of opposites,if we observed carefully the whole background of his thought and the changing orbit of his literature thought in a macroscopic way.

关 键 词： 闻一多 文艺思想 复杂性 对立统一

领　　域： [文学]