作　　者： ;

机构地区： 惠州学院中文系

出　　处： 《西北师大学报（社会科学版）》 2005年第4期38-43,共6页

摘　　要： 传统诗经学经历了先秦、汉唐、宋元、明清等各具特色的不同阶段。这是一个漫长的由文化《诗经》到文学《诗经》的过程,即由经学语境生成文学语境的过程。本文用布迪厄的场域理论,把《诗三百》由“经”而“诗”的现象放到文化生产场即文学场中去作整体考察和审视,以探寻经学和文学生成的过程及合法性。 The traditional study of The Book of Songs has gone through different stages such as Pre-Qin Dynasty,the Han and Tang Dynasties,the Song and Yuan Dynasties,Ming and Oing Dynasties.It is a long course during which The Book of Songs has changed from a cultural text to a literary text as well as from the Confucian classics to the literary classics.This is a very interesting topic. Putting the changing course to the cultural production as well as the literary field, the paper has made a whole study of the phenomena which The Book of Songs changed from the Confucian text to the poem according to the Field Theory of Pierre Bourdieu so as to explore and find its formation and its legitimacy as a Confucian classics and as a literary classics.

关 键 词： 诗经学 文化生产场 经学语境 文学语境 合法性 符号权力

领　　域： [文学] [文学]