作　　者： ;

机构地区： 中国传媒大学影视艺术学院

出　　处： 《湛江师范学院学报》 2005年第1期39-45,共7页

摘　　要： 在观影过程中,不同的叙事视角决定了观众不同的接受方式和审美效果,二者存在着相互引导与制约的关系。全知视角以貌似客观的故事呈现实行隐蔽的主观操纵,使观众进入"幻觉认同"的世界。另一方面,不同的限制视角则以不同的信息传达,影响和制约着观众的接受视野和观影态度。 The accepting mentality and aesthetic appreciation of the audience while watching a movie depend on the different angles of the movie narration. The narrative view and the audience's view condition and restrain each other. From an omniscient angle of view, a story appears to be presented in an objective manner, but a subjective control is actually concealed. As a result, the audience are led into a world of 'identifiable illusion'. Meanwhile, a control of different angles of view constrains convey of messages, thus affecting and restricting the audience's view of and their attitude towards the story.

关 键 词： 叙事视角 观众心理 全知视角 限制视角

领　　域： [艺术]