作　　者： ;

机构地区： 江苏大学人文社会科学学院

出　　处： 《江苏大学学报（社会科学版）》 2005年第2期8-13,共6页

摘　　要： 刘勰《文心雕龙·神思》篇是一篇专论艺术构思与想象的著名论文。其“神与物游”说,实即形象地阐明了“心物交融”的过程,开启了形象思维理论的先声;而形象思维的结晶便是“意象”,即“人心营造之象”,作者要像“窥意象而运斤”的“独照之匠”那样,迅摄意象,运笔于纸。而意象的酝酿与定型,其必不可少的前提又“贵在虚静”。“虚静”是对创作之前的作者必须保持境静与心静的双重要求。 Shen Si” in Liu Xie’s The Literary mind and the Carving Dragon is a famous article on artistic brainstorming and imagination. The theory of “thoughts after scene” vividly explains the process of the combination of soul and object, and initiates the theory of imaginative thoughts. The core of the imaginative thoughts is images, or pictures created by the writer’s soul. The writer, like a master craftsman with the axe in sculpturing, should catch the image and put it down. The brewing and formation of images must be completed in serenity, the double requests of the serene scene and serene heart for a writer before creation.

关 键 词： 神与物游 营造之象 虚静

领　　域： [文学]