作 者: ;
机构地区: 中山大学社会学与人类学学院人类学系
出 处: 《开放时代》 2005年第2期62-72,共11页
摘 要: 本文通过分析西藏的一个农民业余藏戏团个案,阐述民族文化如何被作为一种资源和手段而加以利用,如何作为资本在商品经济的市场中被包装、展示和消费。作者在全球化和现代化的背景下,分析游客和旅游地社会之间的交流、互动跟藏族传统民族文化的继承与创新之间的关联。其结论是,在旅游观光情境中展示的文化传统是基于满足游客的消费需求,在游客对藏族文化传统的诠释体系中,通过藏族精英分子有选择性的重构完成的。 This paper, being a case study of a peasant-run sparetime Tibetan opera troupe, aims to show how national culture is utilized as a kind of resource and tool, and how it is decorated, showcased and consumed as capital in the market. The author concludes that traditional culture in tourism areas - in this case the Tibetan traditional culture - is shaped jointly by the need of tourists and the accommodating creations of the local cultural elites.