作　　者： ;

机构地区： 暨南大学文学院

出　　处： 《湖北民族学院学报（哲学社会科学版）》 2005年第1期115-119,共5页

摘　　要： 大定、明昌词的主题风格主要表现为田园、隐逸,这种田园情趣和隐逸与历代有所不同,更多表现为一种对田园、隐逸的向往。贯穿其中的是承平年代士人对于仕与隐自适结合的生活的喜悦情绪和伴随着的淡淡感伤。本文主要从特定的时代地域多元民族文化背景下的儒道合一的文人心态、对苏学的接受取向来阐述大定、明昌词的田园牧歌情调以及论述其表现形态的出现对于传统词学观的反叛的美学意义。关于金代大定、明昌词的研究在目前学术界还是个空白,本文是第一次尝试阐释其词的田园牧歌情调。 The subject matter and style of the Ci-Poems during Dading and Mingchang period mainly expressed pastoral and seclusion. It mainly presented longing for pastoral and seclusion different from the past times. The Ci-Poems was permeated with the pleasure of Chengping Period's official's life which can deal with seclusion and official freely and the accompanying light sentiment.It interpreted pastoral sentiment during Dading and Mingchang in the article according to scholar-officials' psychology in special time and region under unifying Confucianism and Taoism and acceptant intention of SuShi's theory and discusses the appearance of new expressing way has some aesthetic meaning against traditional Ci-poems.And at present,there is no research regarding Ci-poem during Dading and Mingchang Period in Jin Dynasty in academic field.The present paper makes the first attempt to explain its pastoral sentiment.

关 键 词： 大定 明昌词 田园牧歌情调 儒道合一 苏学 美学意义

领　　域： [文学]