作　　者： ;

机构地区： 中国社会科学院文学研究所

出　　处： 《陕西师范大学学报（哲学社会科学版）》 2004年第6期55-61,共7页

摘　　要： 分析李贺诗中最独特的通感、代语等修辞手法 ,它们不是诗人感觉方式的自然表现 ,而是自觉修辞的结果。李贺的创作显示出过度修辞的倾向 ,他在通感、代语等陌生化的表现手法中 ,发现了开辟奇境的可能 ,于是不断进行自我复制 ,致使那些有创意的新颖修辞在自己的诗中流为熟套。他的动机本与中唐文学极力求“奇”的主流趋势相一致 ,尽管有限的创作经历使他未能充分展开才华 ,达到成熟和完善的境地 ,但他和中唐其他诗人 ,将许多没有被词汇化的词语带入诗中 。 An analysis of the most distinctive rhetorical devices like interlinking senses and mouthpiece shows these devices were not the natural expression of the poet’s means of perception but the results of his conscious choice of words. Li He’s writing showed a tendency of overrhetorics, which made him find it possible to open up some wonderful realm by means of such alienating ways of expression as interlinking senses and mouthpiece. As a result, he continued to reduplicate these rhetorical devices so much that those innovative figures tended to be familiar practices in his poems. Originally, Li’s motive of writing kept up with the main stream of seeking “peculiarity” in the mid-Tang literature, but unfortunately his limited experience of writing prevented his from giving a full play of his talent to make his art mature and complete. Neverthless, he as well as other mid-Tang poets made significant contributions to the innovation of language of mid-Tang poetry by bringing a number of unlexicalized words and expressions into poems.

关 键 词： 李贺 诗歌 通感 代语 过度修辞

领　　域： [文学]