作　　者： ;

机构地区： 深圳大学

出　　处： 《深圳大学学报（人文社会科学版）》 2004年第4期94-98,共5页

摘　　要： 博尔赫斯小说结构在格非短篇创作中有3个方面的延伸:一是时间,小说所呈现的“循环型(圆型)结构”把我们带入了对于时间与幻象的痴迷;二是镜子与迷宫,它们生成了无限繁殖与无限增生的文学意象,虚构了想象世界与现实利益之间的模糊,由此也成为结构小说的内在核心,并为文本的多重意蕴提供了潜在的无限阐释的多重可能;三是空间距离,对原先文本或知识的改写,成为这种距离叙述的主要表现方式,它在一定程度上又拉近了与读者期待视野之间的距离,形成所谓“文本的文本”、“叙述的叙述”式的“幻想小说”叙述结构。 Three kinds of extensions of Borges′fiction structure can be found in Ge Fei′s creation of short stories:1), time: the “circulating (round) structure' bringing us into infatuation about the time and phantom; 2), mirror and labyrinth: producing literary images which can multiply and increase endlessly and add to the obscurity between the imaginative world and real interests and thereby, the intrinsic centre of structuring fiction is formed and pluralistic possibility of potential infinite explanations can be supplied for the many-fold implications of the text of fiction; 3), spatial distance which makes the fact true that the rewriting of the original text and knowledge has become the chief form of expressing the narration of this distance which, to a certain extent, narrows the distance between the text and the reader′s expectation field of vision so that a structure of narration of “illusive fiction' is formed featured by the “text of texts' and “narration of narrations'.

关 键 词： 博尔赫斯 格非 空间距离 短篇创作

领　　域： [文学]