作　　者： ;

机构地区： 深圳大学

出　　处： 《深圳大学学报（人文社会科学版）》 1987年第3期1-9,共9页

摘　　要： 本文首先从传统美学的角度,傍征博引地论述了诗与绘画、音乐、雕塑等各种艺术之问的汇通与差异;接着,从当代美学的发展分析了各种艺术门类互相突破、互相取代,以扩大其表现能力的发展趋势。 The essay first examines the issue from the angle of traditional aesthetics, proceeding by quoting copiously from various sources to elaborate on the convergence arid divergence between poetry on the one hand and painting, music, sculpture and other art forms on the other. The essay then, based on the contemporary development of aesthetics, gives an analysis on the tendency of mutual trespassing and displacing among different art disciplines with the purpose of reinforcing their capacity in reflecting the objective world.

关 键 词： 艺术风格 音乐 绘画 现代派诗歌 艾略特 现代文学 传统美学 人文社会科学版 亚里斯多德 论文

领　　域： [社会学]