作　　者： ;

机构地区： 中山大学人文科学学院中国古文献研究所

出　　处： 《中山大学学报（社会科学版）》 1997年第5期125-131,共7页

摘　　要： 本文通过对《三国志》戏文的考察，了解明代三国戏文的变迁，辨明南戏对于元及明初三国故事杂剧的袭用，证明《三国志》戏文中存在若干今佚的北杂剧套数；元末开始的“移北入南”现象。 Through the textual study of the Xi Wen The Three Kingdoms and its changes in the Ming Dynasty,the present article finds out Nanxis borrowing of the Zaju based on the stories of the three kingdoms in the Yuan Dynasty and the early Ming Dynasty and proves that,in the Xi Wen The Three Kingdoms,there are some northern Zaju succession ballads which are in oblivion today.We can trace the singing of Beiqu in Kun tune to the phenomenon of using Beiqu in Nanxi beginning from the end of the Yuan Dynasty.

关 键 词： 三国志 戏文 三国故事杂剧 北曲昆唱的渊源

领　　域： [文学]