作　　者： ;

机构地区： 中山大学人文科学学院中文系

出　　处： 《中山大学学报（社会科学版）》 1999年第5期36-41,共6页

摘　　要： 元杂剧的脚色与人物是既可相对独立又能相互交融的辩证统一体 ,脚色与人物之间形成一种“戏拟”的关系。“戏拟”追求“神似” ,是诗画“离形得似” The types of role and the characters in the Yuan plays form a dialectic unity. They may keep their independence and at the same time mix together, thus forming the relationship of “dramatic imitation.” Such “dramatic imitation” seeks to convey the essence of the play. It is a unique manifestation of the traditional Chinese aesthetic idea concerning the creation of poetry and painting which maintains the principle of “being not restricted by the form to get the essence.”

关 键 词： 元杂剧 戏拟 离形得似 脚色 人物

领　　域： [文学]