作　　者： ;

机构地区： 暨南大学文学院中国语言文学系

出　　处： 《文史哲》 2004年第4期110-116,共7页

摘　　要： 词真正起于中唐,刘禹锡和白居易是主要作者,所作以抒情为主,与中唐以来诗因功利化而成为"羔雁之具"显为不同。晚唐温庭筠和韦庄的词主要有代言和自抒的区别,《花间集》为歌唱而编选,基本是"伶工之词",到南唐词则发生了较大的变化。从文化转换来说,中唐词是进士文化中的"中隐"思想和享乐意识的体现。西蜀和南唐词是两种不同的宫廷文化的体现。而宋初词主要有两个发展方向,一是以晏、欧为代表,继续并发扬冯延巳一派,表现出士大夫文化"忧生"的一面,一是柳永所代表的俚俗一派,与市井文化密切相关。 Ci was initiated in mid-Tang indeed. LIU Yu-xi and BAI Ju-yi were the main writers at that time. LIU and BAI's Ci gave priority to expressing their emotion,which was quite different from those for material gain after mid-Tang. The main difference of Ci style between WEN Ting-yun and WEI Zhuang was about speaking for others or speaking for the writer himself. The Hua Jian Ji collection was compiled for singing,which was basically 'artificers' works'. Ci changed greatly when it came to Southern Tang. Considering the cultural transformation,mid-Tang Ci reflected the living in seclusion and self-indulgence in the culture of imperial examinations. Western Shu Ci and Southern Tang Ci could find expression in each court culture. As to Ci of early Song,it developed mainly in two directions:one,represented by YAN and OU,inheriting and carrying the style of FENG Yan-si forward,which showed off the 'superiority' in the culture of imperial examinations;the other,with representatives of LIU Yong,style of custom,closely connected to common culture.

关 键 词： 词 发展 进士文化 宫廷文化 士大夫文化 市井文化

领　　域： [文学]