作 者: ;
机构地区: 广东海洋大学文学院
出 处: 《西北师大学报(社会科学版)》 2011年第4期57-61,共5页
摘 要: 从广义"西调"与狭义"西调"的类别、涵义与文本入手比对,特别是考察众多《西厢记》的版本与内容,可以认为各种《西厢记》的题材来源、宫调曲牌、歌词唱调都与广义"西调"有着密切关联,部分狭义"西调"曲词源于诸多版本的《西厢记》,尤以"南戏"化了的《北西厢》为主。雍正十一年绚采垒在新疆田庄撰写的《西厢记怡情新曲》,更是以广义"西调"的诸多俗曲作为曲牌体系而创作的,是文人们用来怡情养性的案头戏曲文本。 This paper,based on classification and connotation of'Xidiao'and The Romance of West Chamber,discusses their the subject matters,modes,tunes and lyrics of many versions of it and their relationship.This paper believes that some tunes and lyrics of'Xidiao'are originated from many versions of The Romance of West Chamber especially the Southern version.The Cheer New Melody of the Romance of West Chamber written by Xuan Cailei in Tianzhuang of Xinjiang mostly was edited on the folk melodies of broad'Xidiao'most...
领 域: [艺术]