作　　者： ;

机构地区： 华南理工大学建筑学院

出　　处： 《南方建筑》 2008年第2期40-49,共10页

摘　　要： 本文探讨客家建筑的仿生象物营造意匠,认为它是追求天地人和谐合一的哲学思想体系的产物,其文化渊源为生殖崇拜、图腾崇拜和风水观念,并从法人、仿动物(包括凤凰、龟、龙、牛、螃蟹、蛇等)、仿植物(莲花等)、象物(包括船、棋盘、八卦等)几方面,研究其文化内涵。 This paper explores the bionic and pictographic ideas of the Hakkas traditional buildings. It proposes that the guiding ideology is the philosophy of the harmony of heaven,earth and man,and that the cultural resources are the worship of reproduction and Totem,and the idea of Fengshui. Four aspects of them are discussed:Followng Man,animals including phoenix,tortoise,dragon,cow,crab and snake,etc.,plants including lotus,or implements including,ship,chessboard and the Eight Diagrams etc.,and their cultural connotation are studied.

关 键 词： 客家建筑 仿生 法人 象物 意匠 生殖崇拜 图腾崇拜 风水观念

领　　域： [建筑科学] [艺术]