作　　者： ;

机构地区： 北京师范大学文艺学研究中心

出　　处： 《外国文学研究》 2002年第4期21-27,154,共8页

摘　　要： 作为一种文化模式 ,狂欢节至今还在深深地影响着大众文化 ,从好莱坞电影、通俗期刊、电视搞笑肥皂剧、摇滚音乐等等之中都不难发现这种文化的影子。巴赫金狂欢理论的精髓就在于其狂欢精神的体现 ,亦即狂欢节的全民性、仪式性、平等性和颠覆性。 The core of Bakhtin's carnival theory is represented by the three concepts of carnival. The carnival spirit, such as the populace, the ritual, the equality, and the subversion or degradation, is the highlight of this theory. Apparently, as a cultural mode, the carnivalesque strongly influenced the 20th century popular culture. We can easily find its irresistible vigor and inventiveness in Hollywood movies, popular journals, television, soap operas, rock music and so on. John Fiske, an American theoretician of popular culture creatively uses Bakhtin's carnival theory to explain the pleasure of wrestling on TV, which is actually a carnival of bodies, rule breaking, grotesquerie,degradation and even depoliticization of official ideology.

关 键 词： 狂欢节 狂欢理论 大众文化 摔跤比赛

领　　域： [文学]